None of his other work would give credibility to that. Her love is something that the knight desires, but that he learns to fear as well. How do we read the ambiguous syntax here: does he mean she looked at him while she loved him or she looked at him as though she did love him? Soon after, John left the medical field to focus primarily on poetry. Suggest the same happen here. They are holding hands and are moving in profile, and this vision recalls for the narrator a scene from a Grecian urn. From 1986 until 2001 he lectured in English, translation, and American culture at the University of Coimbra.
Gives a feeling of unease— suggests foreboding and evil to come. The sedge has withered from the lake, And no birds sing. Probably they do love making and also had sex. There is no actual basis or reference for this whatsoever. What is there in his description that makes the lady sound dangerous? I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. The phrase reflects that the knight is in ail or trouble and distress. Agnes, and Other Poems 1820 Endymion: A Poetic Romance 1818 Poems 1817 Prose Letters of John Keats: A New Selection 1970 The Letters of John Keats 1958 Life, Letters, and Literary Remains of John Keats 1848 Drama Otho The Great: A Dramatic Fragment 1819 King Stephen: A Dramatic Fragment 1819 Ah, what can ail thee, wretched wight, Alone and palely loitering; The sedge is withered from the lake, And no birds sing.
The poem follows a singsong pace, and Keats compresses the lines by using a final line of only four or five syllables. La belle dame sans merci printed musical score. The sedge is wither'd from the lake, And no birds sing. The opium theory is plausible. He was told by doctors that the warmer air of Italy would help cure him. She brings him goods to eat. A haunting ominous effect is created through Keats's use of the formal features of the traditional ballad.
After his mother's death, Keats's maternal grandmother appointed two London merchants, Richard Abbey and John Rowland Sandell, as guardians. The man wants to keep seeing the fairy, so he can have a wonderful time, but he knows he will end up in a depressing state if he does. In stanza 4 the knight replies with a narrative of events that has affected him. O what can ail thee, knight-at-arms! The knight is hardly just a helpless victim. I made a garland for her head, And bracelets too, and fragrant zone; She look'd at me as she did love, And made sweet moan. In the third stanza, which describes the third time the figures pass by, the narrator recognizes them: one is Love, the second is Ambition, and the third is Poesy poetry.
I met a lady in the meads, Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild. It is one thing to read this explosive ballad for the story of the knight, but if we peer behind the tragic surface we can see a writer—with one of the shortest working lives of his generation—creating a pact with literary immortality. But wait: in this poem, the guy in question is literally on the verge of death because of his romantic encounter with this woman. The sedge has wither'd from the lake, And no birds sing. Have students work in groups to fill in the blank with their own words. Yet the narrator is angry, since the figures arrived so surreptitiously and have ruined what might have otherwise been a perfectly indolent day. La Belle Dame Sans Merci Analysis O what can ail thee, knight-at-arms, Alone and palely loitering? He was on fire poetically, in love, growing ill, and suffering from depression.
Romantic writers saw the violence of the French Revolution as proof of the failure of science and reason, and the suffocation of human spirit. Chaucerian Dream Visions and Complaints. He died there on February 23, 1821, at the age of twenty-five, and was buried in the Protestant cemetery. You should refer closely to the language used in both poems. GradeSaver, 27 March 2015 Web. He used the title of a 15th century poem by Alain Chartier, though the plots of the two poems are different.
Oh what can ail thee, knight-at-arms, So haggard and so woe-begone? Keats uses a lot of auditory and visual imagery. The knight-at-arms in the dream sees one of the most terrifying dreams on the hillside. O what can ail thee, knight-at-arms, Alone and palely loitering? This article has been rated as Low-importance on the project's. In both of them, a lot of sensuous detail can be. Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. These two symbols also refer to a time of loneliness, coldness and grief. The Knight wakes up from the nightmare alone, on the cold hill side.
This article has been rated as Start-Class on the project's. I included a shortened version of the synopsis. Forgive me, I'm too caught up in other things to do that myself at the moment. The landscape is lush with meadows and spring, wild honey and manna dew, but the story quickly moves from idyllic to horrific, as the fairytale romp turns to imprisonment on a cold hillside. The sedge has withered from the lake, And no birds sing.
Indolence is, in the end, a bountiful source of poetic inspiration. He was on fire poetically, in love, growing ill, and suffering from depression. He was only 25 years old when he died of tuberculosis in February 1821. We can glean from his letters at the time that there is a sudden and powerful merging between his thinking about poetry what we now call theory or, more loosely, poetics and the gestation of his poems. The lady provides the knight with sweet foods and lulls him to sleep.
He met Fanny Brawne in 1819 and had an affair, but he was too poor to marry her. A reading such as given above would fit well with Keats's general ambivalence concerning romance and the bower. Keats uses the so-called ballad stanza, a quatrain in alternating iambic tetrameter and trimeter lines. The sedge has wither'd from the lake, And no birds sing. Autoplay next video Ah, what can ail thee, wretched wight, Alone and palely loitering? Or did Keats make a mistake? Browning addresses obsessive and sinister love which is lost through destruction, and Rossetti expresses real love which is lost through bereavement. The poet asks him why he is sad and wandering alone near the lake where no green grass is left and no bird is singing.