Rape of the lock by Alexander Pope Brief Summary Hindi Explanation Video tags rape of the lock by alexander pope, rape of the lock, rape of the lock characters, rape of the lock analysis, rape of the lock by alexander pope in hindi, hindi summary of rae of the lock, critical analysis of rape of the lock, rape of the lock brief characters, rape of the lock short characters, goodwill education, rape of the lock complete analysis of characters, Please share and subscribe our channel for more videos! Oil paintings by two artists rise a little above this judgment. The scene of her toilette is rendered first as a religious sacrament, in which Belinda herself in the priestess and her image in the looking glass is the Goddess she serves, This parody of the religious rites before a battle gives way, then to another kind of mock-epic scene, that of the ritualized arming of the hero. SparkNotes Editors, 2002 Pope was a weak human as well as a moralist. The main character in the poem, Belinda, is in fact based on Arabella Fermor, and the man who cut off a lock of her hair is Lord Petre. Belinda is asked to come to terms with her loss through a kind of bribe, or distraction that reinforces her basically frivolous outlook. Here, Pope writes about an incredibly trivial event as though it's a war involving gods and epic heroes.
His purpose was merely to expose the life of the nobility of his time. Finding her dejected in the arms of the woman Thalestris, Umbriel pours the contents over them both. SparkNotes Editors, 2002 Her curls are a trap to ensnare an enemy. We learn here that her hairstyle features two curling locks that hang down the back of her neck. So basically Canto 4 uses a supernatural metaphor to explain that Belinda's overflowing with emotions after her very upsetting event. The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. In the scuffle, it appears that Belinda's treasured lock is now lost forever.
The third canto ends tragically with Belinda finally losing a prized lock of her celebrated hair. Apart from her laziness and her excessive preoccupation with her toilet including the pains that she takes to curl her hair , she has a thirst for fame which leads her to engage herself in an encounter with two adventurous knights at the game of ombre. The verse form of this poem is the heroic couplet, one in which two ideas may be easily balanced and counter-weighed. Belinda fights with the Baron and throws snuff up his nose to subdue him. That means that the poem is both satirizing the genre of epic and also the modern sensibility at the same time.
Arabella Fermor: Madam, It will be in vain to deny that I have some regard for this piece, since I dedicate it to You. He traps her in the game of cards and cut her most beautiful lock from behind and Belinda regrets to have gone for the game and dance parties. The fundamental theme of The Rape of the Lock is the ruckus that high society makes over insignificant matters, such as breaches of decorum. Furthermore, Du Guernier's frontispiece owes its iconography to a print by after a painting by of Venus at her Toilette, making for an identification of Belinda with the goddess. The main character here is Belinda, a beautiful woman called the 'Fairest of the Mortals' by Pope in the first canto, which, if you're familiar with Homer, might sound a little bit like Helen of Troy and I don't think that was an accident.
Now awake, Belinda begins her elaborate toilette. The poet invests her almost with divine beauty. It was based on an actual event recounted to the poet by Pope's friend,. I guess he figured satire would wear out its welcome after a while. The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. Belinda is like the sun, not only because of her bright eyes and not only because she dominates her special world.
Robert, Lord Petre, a family friend, snipped a lock of her hair without permission, thereby causing a rift between their two families. Before we get into that story, there are three other things you should know about the poem. Also, the breaking of china is an allusion to the loss of virginity. Belinda begins favorably, but soon the Baron is winning. Belinda then awakes and gets ready for the day with the help of her maid, Betty. He admires her but does not spare to criticise her. Society dictates that women remain chaste while enticing suitable husbands.
As a result, Pope emphasizes the ridiculousness of a society that contains members who have so much free time they elevate frivolous events and treat these events with the gravity that should be applied to more serious issues. I know how disagreeable it is to make use of hard words before a lady; but 'tis so much the concern of a poet to have his works understood and particularly by your sex, that you must give me leave to explain two or three difficult terms. The Baron decides to steal these locks. Pope boasted that this sold more than three thousand copies in its first four days. Throughout the poem, it seems that he is half-admonishing, half-poking fun at Belinda and the Baron. After this, there's no way that Belinda will laugh off the Baron's prank, even though Canto V begins with Clarissa trying to tell her to be a good sport about it.
The stakes in this mock-heroic epic are Belinda's maidenhood. This is a zeugma, the effect of which is show the royal residence as a place that houses both serious matters of state and frivolous social occasions. This fact furthers the idea that the rape of the lock stands in for literal rape. As has been indicated above, she is flirtatiously inclined. The human persons are as fictitious as the airy ones, and the character of Belinda, as it is now managed, resembles you in nothing but in Beauty. In the following century, 's 1854 period piece, Sir Plume Demands the Restoration of the Lock, takes place in a cluttered drawing room in which the kind of lap dog present in many previous pictures feeds from a dish on the floor. If you're familiar with Shakespeare's The Tempest, you might recognize Ariel as the name of Prospero's servant, but, realistically, you're probably thinking of The Little Mermaid.
The elegant language and importance of such objects thus elevate the process of dressing to a sacred rite. This ending also introduces a bit of sympathy to Belinda's cause because it's like she gets this consolation prize for losing her temporary beauty, and that consolation prize is pretty grand - that her name will live forever among the stars. Unlike the Greek gods, however, Ariel possesses little power to protect his ward and preserve her chastity. Humor, sharp language and a good lesson - it's I think no wonder that this poem has maintained its fame 300 years after it was first published. Belinda ignores this advice, and starts a fight between herself and her friends, and the Baron and his friends. Yet this fall is only a fall from the narcissistic self-love and arid-virginity which the sylphs, in one of their aspects, both represent and seek to preserve. Self-display and self-adoration the used as her ornaments.
It combines both his foundations of satire and his influences from the Greek and Roman traditions to really make something awesome but also trivial at the same time. At this point in the poem, however, Pope depicts Belinda not as a coquette but as a powerful figure, similar to the male heroes of epic poetry. The first possibility in each of these pairs of calamities shows that Belinda is not likely to exercise sufficient caution in protecting her maidenly purity. In his description of the Sylphs during the dream sequence, Pope enumerates coquettish vanities. You get what I'm saying - not a whole lot, plot-wise. Character Analysis of Belinda in The Rape of the Lock Belinda represents the fashionable and aristocratic ladies of the time.