The Wolf of Wall Street
The

Theatrical release poster

Directed byMartin Scorsese
Screenplay byTerence Winter
Based onThe Wolf of Wall Street
by Jordan Belfort
Produced by
Starring
CinematographyRodrigo Prieto
Edited byThelma Schoonmaker

Production
companies

Distributed byParamount Pictures

Release date

Running time

180 minutes[1]
CountryUnited States
LanguageEnglish
Budget$100 million[2]
Box office$392 million[2]

The Wolf of Wall Street is a 2013 American epic biographical black comedy crime film directed by Martin Scorsese and written by Terence Winter, based on the 2007 memoir of the same name by Jordan Belfort. It recounts Belforts perspective on his career as a stockbroker in New York City and how his firm, Stratton Oakmont, engaged in rampant corruption and fraud on Wall Street, which ultimately led to his downfall. Leonardo DiCaprio, who was also a producer on the film, stars as Belfort, with Jonah Hill as his business partner and friend, Donnie Azoff, Margot Robbie as his wife, Naomi Lapaglia, and Kyle Chandler as FBI agent Patrick Denham, who tries to bring Belfort down.

The film premiered in New York City on December 17, 2013, and was released in the United States on December 25, 2013, by Paramount Pictures, and was the first major American film to be released exclusively through digital distribution.[3] It was a major commercial success, grossing $392 million worldwide during its theatrical run, becoming Scorseses highest-grossing film.[4] The film sparked controversy over its morally ambiguous depiction of events, lack of sympathy for victims, explicit sexual content, extreme profanity, depiction of hard drug use, and the use of animals during production. It set a Guinness World Record for the most instances of swearing in a film.

The film received generally positive reviews from critics, along with some moral censure. It was nominated for several awards, including five at the 86th Academy Awards ceremony: Best Picture, Best Director, Best Adapted Screenplay, Best Actor (for DiCaprio) and Best Supporting Actor (for Hill). DiCaprio won Best Actor – Musical or Comedy at the 71st Golden Globe Awards, where the film was also nominated for Best Picture – Musical or Comedy.

Plot[edit]

In 1987, Jordan Belfort lands a job as a Wall Street stockbroker for L.F. Rothschild, employed under Mark Hanna. He is quickly enticed into the drug-fueled stockbroker culture and Hannas belief that a brokers only goal is to make money for himself. Jordan loses his job following Black Monday, the largest one-day stock market drop in history, and takes a job at a boiler room brokerage firm on Long Island that specializes in penny stocks. Thanks to his aggressive pitching style and the high commissions, Jordan makes a small fortune.

Jordan befriends his neighbor Donnie Azoff, and the two found their own company. They recruit several of Jordans friends, whom Jordan trains in the art of the hard sell. Jordans tactics and salesmanship largely contribute to the success of his pump and dump scheme, which involves inflating the price of a stock through issuing misleading, positive statements in order to sell it at an artificially augmented price. When the perpetrators of the scheme sell their overvalued securities, the price drops immensely and those who were conned into buying at the inflated price are left with stock that is suddenly worth much less than what they paid. To cloak this, Jordan gives the firm the respectable-sounding name Stratton Oakmont in 1989.

After an exposé in Forbes, hundreds of ambitious young financiers flock to his company. Jordan becomes immensely successful and slides into a decadent lifestyle of prostitutes and drugs. He has an affair with a woman named Naomi Lapaglia; when his wife finds out, Jordan divorces her and marries Naomi in 1991. Meanwhile, the SEC and the FBI begin investigating Stratton Oakmont.

In 1993, Jordan illegally makes $22 million in three hours upon securing the IPO of Steve Madden. This brings him and his firm further to the attention of the FBI. To hide his money, Jordan opens a Swiss bank account with corrupt banker Jean-Jacques Saurel in the name of Naomis Aunt Emma, who is a British national and thus outside the reach of American authorities. He uses the wife and in-laws of his friend Brad Bodnick, who have European passports, to smuggle the cash into Switzerland.

Donnie and Brad get into a public brawl; Donnie escapes, but Brad is arrested. Brad does not say a word about Donnie or Jordan to the police. Jordan learns from his private investigator that the FBI is wiretapping his phones. Fearing for his son, Jordans father advises him to leave Stratton Oakmont and lie low while Jordans lawyer negotiates a deal to keep him out of prison. Jordan, however, cannot bear to quit and talks himself into staying in the middle of his farewell speech. In 1996, Jordan, Donnie and their wives are on a yacht trip to Italy when they learn that Aunt Emma has died of a heart attack. Jordan decides to travel to Switzerland immediately to settle the bank account. To bypass border controls, he orders his yacht captain to sail to Monaco, but the ship capsizes in a storm. After their rescue, the plane sent to take them to Geneva is destroyed when a seagull flies into the engine; Jordan takes this as a sign from God and decides to sober up.

Two years later, the FBI arrests Jordan because Saurel, arrested in Florida on an unrelated charge, has informed the FBI on Jordan. Since the evidence against him is overwhelming, Jordan agrees to gather evidence on his colleagues in exchange for leniency. At home, Naomi tells Jordan she is divorcing him and wants full custody of their daughter and infant son; in an impulsive, cocaine-fueled rage, Jordan assaults Naomi and tries to drive away with his daughter before crashing his car in the driveway. Later on, Jordan wears a wire to work but slips a note to Donnie, warning him. The FBI discovers this, arrests Jordan, and raids and shuts down Stratton Oakmont. Despite breaching his deal, Jordan receives a reduced sentence of 36 months in a minimum security prison for his testimony, and is released after serving 22 months. After his release, Jordan makes a living hosting seminars on sales technique.

Cast[edit]

Production[edit]

Development[edit]

src=https://upload.wikimedia.org/wikipedia/commons/thumb/2/26/Martin_Scorsese_%288250485096%29.jpg/170px-Martin_Scorsese_%288250485096%29.jpg

Martin Scorsese in 2006, the director of the film

In 2007, Leonardo DiCaprio and Warner Bros. won a bidding war for the rights to Jordan Belforts memoir The Wolf of Wall Street, with Belfort making $1 million off the deal.[6][7] Having worked on writing the films script, Martin Scorsese was considered to direct the film but abandoned the project to work on Shutter Island (2010).[8] He describes having wasted five months of [his] life without getting a green light on production dates by the Warner Bros. studio.[7] In 2010, Warner Bros. had offered the directorial role to Ridley Scott, with Leonardo DiCaprio playing the male lead,[9] but the studio eventually abandoned the project.[10]

In 2012, a green light was given by the independent company Red Granite Pictures, imposing no content restrictions. Scorsese, knowing there would be no limits to the content he would produce, came back on board, resulting in an R rating.[11] Red Granite Pictures also asked Paramount Pictures to distribute the film;[12] Paramount Pictures agreed to distribute the film in North America and Japan, but passed on the rest of the international market.[13] The rights to internationally distribute the film were acquired by Universal Pictures International (UPI).[14]

According to Jordan Belfort,[15] Random House asked him to tone down or excise the depictions of debauchery in some passages of his memoir before publication, especially those relating to his bachelor party which featured acts of zoophilia, rampant use of drugs and nitrous oxide, and a particularly disturbing act which he recounted in Logan Pauls podcast;[16] neither the published version of the memoir nor the film contain references to this.[17]

In the film, most of the real-life characters names have been changed from Belforts original memoir. Donnie Azoff is based on Danny Porush. The name was changed after Porush threatened to sue the filmmakers. Porush maintains that much of the film was fictional and that Donnie Azoff was not in fact an accurate depiction of him.[18][19] Former Donna Karan Jeanswear CEO Elliot Lavigne does not appear explicitly in the film, but an incident recounted in the book, in which Belfort gives Lavigne mouth-to-mouth resuscitation to save him from choking to death, is similar to a scene in the film involving Donnie. The FBI agent known as Patrick Denham is the stand-in for real-life Gregory Coleman,[20] and lawyer Manny Riskin is based on Ira Sorkin.[21] Belforts first wife Denise Lombardo is renamed Teresa Petrillo, while second wife Nadine Caridi became Naomi Lapaglia on-screen. In contrast, Mark Hannas name remains the same as the LF Rothschild stockbroker who, like Belfort, was convicted of fraud and served time in prison.[22][23] Belforts parents Max and Leah Belforts names remained the same for the film.[24] The role of Aunt Emma was initially offered to Julie Andrews, who refused it as she was recovering from an ankle injury, and she was replaced by Joanna Lumley.[25] In January 2014, Jonah Hill revealed in an interview with Howard Stern that he had made only $60,000 on the film (the lowest possible SAG-AFTRA rate for his amount of work), while his co-star Leonardo DiCaprio (who also produced) received $10 million.[26][27][28]

Filming[edit]

src=https://upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Jonah_Hill-4939_%28cropped%29_%28cropped%29.jpg/170px-Jonah_Hill-4939_%28cropped%29_%28cropped%29.jpg

During filming, Jonah Hill was hospitalized after snorting a large quantity of powdered Vitamin D.

Filming began on August 8, 2012, in New York City.[29] Jonah Hill announced on Twitter that his first day of shooting was September 4, 2012.[30] Filming also took place in Closter, New Jersey, and Harrison, New York.[31][32] Vitamin D powder was used as the fake substance for cocaine in the film; Jonah Hill was hospitalized with bronchitis due to snorting large quantities over the course of filming.[33]

Scorseses longtime editor Thelma Schoonmaker, who has received seven Academy Award nominations for Best Film Editing, stated that the film would be shot digitally instead of on film.[34] Scorsese had been a proponent of shooting on film, but decided to shoot Hugo digitally because it was being photographed in 3D. Despite being filmed in 2D, The Wolf of Wall Street was originally planned to be shot digitally.[35] Schoonmaker expressed her disappointment with the decision: It would appear that weve lost the battle. I think Marty just feels its unfortunately over, and theres been no bigger champion of film than him.[34] After extensive comparison tests during pre-production, eventually the majority of the film was shot on film stock, while scenes that used green screen effects or low light were shot with the digital Arri Alexa camera system.[35] The film contains 400–450 VFX shots.[36]

Profanity[edit]

The film set a Guinness World Record for the most instances of swearing in a motion picture.[37] The word fuck is used 569 times in the film, averaging 2.81 times per minute.[38][39][40] The previous record holders were Scorseses 1995 gangster film Casino, which had 422 uses of the word, including in the voice-over narration, and the 1997 British film Nil by Mouth, in which the word was used 428 times.[37] The record has since been topped by Swearnet: The Movie, which says the word 935 times.[41]

The films distributor in the United Arab Emirates cut some 45 minutes off the runtime to delete explicit scenes of swearing, religious profanity, drug use, and sex, and muted dialogue containing expletives. The National reported that filmgoers in the UAE believed the film should not have been shown rather than being edited so heavily.[42]

Release[edit]

Theatrical[edit]

The Wolf of Wall Street premiered at the Ziegfeld Theatre in New York City on December 17, 2013,[43] followed by a wide release on December 25, 2013. The films original release date of November 15 was pushed back after cuts were made to reduce the runtime.[44] On October 22, 2013, it was reported that the film was set for release that Christmas.[45] On October 29, Paramount officially confirmed that the film would release on Christmas Day, with a running time of 165 minutes.[46][47] This runtime was changed to 179 minutes on November 25.[48] It was officially rated R by the Motion Picture Association for sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence.[49] In the UK, the film received an 18 certificate from the British Board of Film Classification for very strong language, strong sex [and] hard drug use.[1]

The film is banned in Malaysia, Nepal, Zimbabwe, and Kenya because of its scenes depicting sex, drugs, and excessive use of profanity, and additional scenes have been cut in the versions playing in India. In Singapore, after cuts were made to an orgy scene as well as some religiously profane or denigrating language, the film was passed R21.[50][51]

The release of The Wolf of Wall Street marked a shift in cinema history when Paramount became the first major studio to distribute movies to theaters in digital format, eliminating 35mm film entirely. Anchorman 2: The Legend Continues was the last Paramount production to include a 35mm film version, while The Wolf of Wall Street was the first major movie distributed entirely digitally.[52][53]

Home media[edit]

The Wolf of Wall Street was released on DVD and Blu-ray on March 25, 2014.[54] On January 27, 2014, it was revealed that a four-hour directors cut would be attached to the home release.[55] It was later revealed by Paramount Pictures and Red Granite Pictures that the home release would feature only the theatrical release.[56]

Reception[edit]

Box office[edit]

The Wolf of Wall Street grossed $116.9 million in North America and $275.1 million internationally, for a total gross of $392 million,[2] making it Scorseses highest-grossing film worldwide.[57] In North America, the film opened at number five in its first weekend, with $19.4 million in 3,387 theaters, behind The Hobbit: The Desolation of Smaug, Frozen, Anchorman 2: The Legend Continues, and American Hustle.[58] In Australia, it is the highest grossing R-rated film, earning $12.96 million.[59]

Critical response[edit]

On Rotten Tomatoes, the film holds an approval rating of 79% based on 286 reviews and an average rating of 7.80/10. The sites critical consensus reads, Funny, self-referential, and irreverent to a fault, The Wolf of Wall Street finds Martin Scorsese and Leonardo DiCaprio at their most infectiously dynamic.[60] On Metacritic, the film has a weighted average score of 75 out of 100 based on 47 reviews, indicating generally favorable reviews.[61]

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src=https://upload.wikimedia.org/wikipedia/commons/thumb/9/96/Jonah_Hill_WonderCon%2C_2012.jpg/151px-Jonah_Hill_WonderCon%2C_2012.jpg

Peter Travers of Rolling Stone magazine named The Wolf of Wall Street as the third best film of 2013, behind 12 Years a Slave and Gravity at numbers one and two, respectively.[62] The movie was chosen as one of the top ten films of the year by the American Film Institute.[63] Mick LaSalle of the San Francisco Chronicle said it is the best and most enjoyable American film to be released this year.[64] The Chicago Sun-Timess Richard Roeper gave the film a B+ score, saying the film was good, not great Scorsese.[65]

Dana Stevens of Slate was more critical labeling the film epic in size, claustrophobically narrow in scope.[66] Marshall Fine of The Huffington Post argued that the story wants us to be interested in characters who are dull people to start with, made duller by their delusions of being interesting because they are high.[67] Some critics viewed the film as an irresponsible glorification of Belfort and his associates rather than a satirical takedown. DiCaprio defended the film, arguing that it does not glorify the excessive lifestyle it depicts.[68][69]

In 2016, the film was ranked #78 on the BBCs 100 Greatest Films of the 21st Century list.[70] In June 2017, Richard Brody of The New Yorker named The Wolf of Wall Street as the second best film of the 21st century so far, behind Jean-Luc Godards In Praise of Love.[71] In 2019, Brody named The Wolf of Wall Street the best film of the 2010s.[72]

Audience response[edit]

The film received an average grade of C on an A+ to F scale from audiences surveyed by CinemaScore,[73] the lowest rating of any film opening that week.[74] The Los Angeles Times argues that the film attracted conservative viewers by depicting a more moral tone in its marketing than the film itself depicted.[75]

Christina McDowell, daughter of Tom Prousalis, who worked closely with the real-life Belfort at Stratton Oakmont, wrote an open letter addressing Scorsese, DiCaprio, and Belfort himself, criticizing the film for insufficiently portraying the victims of the financial crimes created by Stratton Oakmont, for disregarding the damage that was done to her family as a result, and for giving celebrity status to persons (Belfort and his partners, including her father) who do not deserve it.[76]

Steven Perlberg of Business Insider saw an advance screening of the film at a Regal Cinemas near the Goldman Sachs building, with an audience of financial workers. Perlberg reported cheers from the audience at what he considered to be all the wrong moments, stating, When Belfort — a drug addict attempting to remain sober — rips up a couch cushion to get to his secret coke stash, there were cheers.[77]

Former Assistant United States Attorney Joel M. Cohen, who prosecuted the real Belfort, criticized both the film and the book on which it is based. He said that he believes some of Belforts claims were invented, as for instance [Belfort] aggrandized his importance and reverence for him by others at his firm. He strongly criticized the film for not depicting the thousands of [scam] victims who lost hundreds of millions of dollars, not accepting the filmmakers argument that it would have diverted attention from the wrongdoers. He deplored the ending—beyond an insult to Belforts victims—in which the real Belfort appears, while showing a large sign advertising the name of Mr. Belforts real motivational speaking company, and a positive depiction of Belfort uttering variants of the same falsehoods he trained others to use against his victims.[78]

Controversies[edit]

Use of animals[edit]

The Wolf of Wall Street uses animals including a chimpanzee, a lion, a snake, a fish, and dogs.[79] The chimpanzee and the lion were provided by the Big Cat Habitat wildlife sanctuary in Sarasota County, Florida. The four-year-old chimpanzee Chance spent time with actor Leonardo DiCaprio and learned to roller skate over the course of three weeks. The sanctuary also provided a lion named Handsome because the trading company depicted in the film used a lion as its symbol.[80] Danny Porush denied that there were any animals in the office, although he admitted to eating an employees goldfish.[81]

In December 2013, prior to the films premiere, the organization Friends of Animals criticized the use of the chimpanzee and organized a boycott of the film. Variety reported, Friends of Animals thinks the chimp ... suffered irreversible psychological damage after being forced to act.[82] The Guardian commented on the increasing criticism of Hollywoods use of animals, stating that The Wolf of Wall Streets use of a chimpanzee arrives as Hollywood comes under ever-increasing scrutiny for its employment of animals on screen. PETA also launched a campaign to highlight mistreatment of ape actors and to petition for DiCaprio not to work with great apes.[81]

Alleged 1MDB connection and subsequent Red Granite lawsuit[edit]

The film was alleged by the Malaysian Anti-Corruption Commission (MACC) to have been financed by money stolen from the Malaysian 1Malaysia Development Berhad (1MDB) sovereign wealth fund by producer Riza Aziz, who pled not guilty to charges laid in July 2019.[83] The film is part of a broader investigation into these illicit monetary movements, and, in 2016, was named in a series of civil complaints filed by the United States Department of Justice for having provided a trust account through which hundreds of millions of dollars belonging to the 1MDB fund were illicitly siphoned.[84][85][86] To settle the civil lawsuit, Red Granite Pictures agreed to pay US$60 million to the U.S. government with no admission of wrongdoing or liability on the part of Red Granite.[87] This settlement was part of a more expansive U.S. effort to seize approximately $1.7 billion in assets allegedly purchased with funds embezzled from 1MDB.[87] In January 2020, Belfort sued Red Granite for $300 million, also wishing to void his rights deal; he said that he would never have sold the rights to the production company if he had known where the film was being financed from.[88][89]

Thematic controversy and debate[edit]

Various scholars and individuals have criticized the film as materialistic, encouraging greedy behavior, extreme wealth, and advocating for the infamous individuals portrayed in the film. Christina McDowell, whose father, Tom Prousalis, worked in association with Jordan Belfort, accused the filmmakers of exacerbating our national obsession with wealth and status and glorifying greed and psychopathic behavior. She continues to emphasize the gravity and timely significance of Belforts crimes stating that Wolf of Wall Street is a reckless attempt at continuing to pretend that these sorts of schemes are entertaining, even as the country is reeling from yet another round of Wall Street scandals.[90]

In response to Leonardo DiCaprio defending himself from criticism, Variety journalist Whitney Friedlander describes the film as still three hours of cash, drugs, hookers, repeat. Friedlander argues that the film is a celebration of this lifestyle and argues that short-lived extreme wealth and extraordinary experiences are superior to a societally normal behavior.[91]

There are also those like Nikole TenBrink, vice president of marketing and membership at Risk and Insurance Management Society, who believes that the film is a cautionary tale of what can happen when fraud is left unchecked. She describes Belforts business acumen, his talent in communicating and selling his ideas, and his ability to motivate others as offering valuable lessons for risk professionals as they seek to avoid similar pitfalls.[92]

Andrew Greene lawsuit[edit]

Andrew Greene, a former employee of Jordan Belfort, claimed that the character of Nicky Koskoff in the film was based on him, and that, among other things, the film portrayed him as a degenerate and a criminal, and/or devoid of any morality or ethics. He attempted to sue Universal over the characters use in the film. The case continued on in the courts for four years until it was dismissed due to lack of proof.[citation needed]

Jordan Belforts reception[edit]

In an interview on London Real, Jordan Belfort commented on the films depiction of himself and of Stratton Oakmont. In this interview, Belfort mentions that the film did an excellent job at describing the overall feeling of those years, stating that the camaraderie, the insanity, that was accurate. Regarding his use of drugs, Belfort mentions that his actual habits were much worse than what is depicted in the film, stating that he was on 22 different drugs at the end.[93]

Belfort also analyzes the major inaccuracies regarding the films oversimplification of Stratton Oakmonts gradual transition from advocating for speculative stocks in order to help build America to committing crimes. During the interview, Belfort expresses that he didnt like hearing overly simplified and blunt depictions of his crimes because it made me look like I was just trying to rip people off. While unhappy with these practices, Belfort does acknowledge the cinematic benefits of these oversimplifications as a very easy way in three hours to move the audience emotionally.[93]

Accolades[edit]

The film was nominated for five Academy Awards: Best Picture, Best Director for Scorsese, Best Adapted Screenplay for Winter, Best Actor for DiCaprio, and Best Supporting Actor for Hill.[94] It was also nominated for four BAFTAs, including Best Director, Best Actor and Best Adapted Screenplay, and two Golden Globe Awards, including Best Motion Picture – Musical or Comedy.[95] DiCaprio won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.[96]

Soundtrack[edit]

The Wolf of Wall Street: Music from the Motion Picture
Soundtrack album by

Various artists

ReleasedDecember 17, 2013
(Digital download)
Length56:30
LabelVirgin Records

The soundtrack to The Wolf of Wall Street features both original and existing music tracks. It was released on December 17, 2013, for digital download.[97][98]

More than sixty songs were used in the film, but only sixteen were included on the official soundtrack. Notably, among the exceptions are original compositions by Theodore Shapiro.[99]

No.TitleArtist(s)Length
1.Mercy, Mercy, MercyCannonball Adderley5:11
2.Dust My BroomElmore James2:53
3.Bang! Bang!Joe Cuba4:06
4.Movin Out (Anthonys Song)Billy Joel3:29
5.Cest si bonEartha Kitt2:58
6.GoldfingerSharon Jones & The Dap-Kings2:30
7.Pretty ThingBo Diddley2:49
8.Moonlight in Vermont (Live at the Pershing Lounge)Ahmad Jamal3:10
9.Smokestack LightningHowlin Wolf3:07
10.Hey Leroy, Your Mamas Callin YouThe Jimmy Castor Bunch2:26
11.Double DutchMalcolm McLaren3:56
12.Never Say NeverRomeo Void5:54
13.Meth Lab Zoso Sticker7horse3:42
14.Road RunnerBo Diddley2:46
15.Mrs. RobinsonThe Lemonheads3:44
16.Cast Your Fate to the WindAllen Toussaint3:19
Total length:56:30

See also[edit]

References[edit]

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